Submissions from 2013
Feeling Voices, Paolo Ammirante, Frank A. Russo, Arla Good, and Deborah I. Fels
Submissions from 2009
Expressing Tonal Closure in Music Performance: Auditory and Visual Cues, Donovon k. Caeser, Willam Forde Thompson, and Frank A. Russo
Fertility Desires and Intentions of HIV-Positive Women of Reproductive Age in Ontario, Canada: A Cross-Sectional Study, Mona Loutfy, Trevor A. Hart, Saira S. Mohammed, DeSheng Su, Edward D. Ralph, Sharon L. Walmsley, Lena C. Soje, Marvelous Muchenje, Anita R. Rachlis, Fiona M. Smaill, Jonathan B. Angle, Janet M. Raboud, Michael S. Silverman, Wangari E. Tharao, Kevin Gough, and Mark H. Yudin
Towards a Functional Hearing Test for Musicians: The Probe Tone Method, Frank A. Russo
Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography, Frank A. Russo, Steven R. Livingstone, and William Forde Thompson
A New Look at Retest Learning in Older Adults: Learning in the Absence of Item-Specific Effects, Frank A. Russo, Lixia Yang, Maureen Reed, and Andrea Wilkinson
Submissions from 2008
Assessing depression symptoms in those with insomnia: An examination of the Beck Depression Inventory Second Edition (BDI-II), Colleen Carney, Christi Ulmer, Jack D. Edinger, Andrew D. Krystal, and Faye Knauss
What do Psychology and Civil Engineering have in Common to Promote Well-Being and Excellence?, Said Easa, Maureen Reed, and Frank A. Russo
Submissions from 2007
Collaboration between Librarians and Teaching Faculty to Teach Information Literacy at One Ontario University: Experiences and Outcomes, Maureen Reed, Don Kinder, and Cecile Farnum
Tonality of Low-Frequency Synthesized Piano Tones, Frank A. Russo, Lola L. Cuddy, and Alexander Galembo
Sensitivity to tonality across the piano range, Frank A. Russo, Lola L. Cuddy, Alexander Galembo, and William F. Thompson
Urgency is a non-monotonic function of pulse rate, Frank A. Russo and Jeffery A. Jones
Facing the music, William F. Thompson and Frank A. Russo
Submissions from 2006
Perceptual Considerations in Designing and Fitting Hearing Aids for Music, Frank A. Russo
Submissions from 2005
An interval-size illusion: The influence of timbre on the perceived size of melodic intervals, Frank A. Russo and William F. Thompson
The subjective size of melodic intervals over a two-octave range, Frank A. Russo and William F. Thompson
Seeing music performance: Visual influences on perception and experience, William F. Thompson, Phil Graham, and Frank A. Russo
Submissions from 2004
Music and hearing aids, Marshall Chasin and Frank A. Russo
Perceptual significance of inharmonicity and spectral envelope in the piano bass range, Alexandre Galembo, Anders Askenfelt, Lola L. Cuddy, and Frank A. Russo
The attribution of meaning and emotion to song lyrics, Frank A. Russo and William F. Thompson
Submissions from 2003
Learning the Special Note: Evidence for a critical period for absolute pitch acquisition, Frank A. Russo, Deborah L. Windell, and Lola L. Cuddy
Submissions from 2001
Effects of relative phases on pitch and timbre in the piano bass range, Alexander Galembo, Anders Askenfelt, Lola L. Cuddy, and Frank A. Russo
Submissions from 1994
Dimensions of perfectionism and constructive thinking as a coping response, Gordon L. Flett, Frank A. Russo, and Paul L. Hewitt
Effects of underscoring on the perception of closure and intensity in film excerpts, William F. Thompson, Frank A. Russo, and Don Sinclair